critical


My critical writing primarily concerns the intersection of fiction, poetry, and visual art with mathematics and science. Using my background in Montessori education, I also work on community-engaged and creative writing pedagogies, such as in courses like Writers in the Schools.

PEER-REVIEWED SCHOLARSHIP

+ “The Mathematical Affect of Pamela Lu,” Identity, Representation, and Literary Experiment in the United States (1970-2000): Ambivalent Lyrical Subjects, edited by Tessel Veneboer & Hannah Van Hove, Bloomsbury Academic (forthcoming)
“‘Not Unordered’: Gertrude Stein’s Numbers“, Journal of Modern Literature, 2024
+ “Notice, Ask, Explore: Transforming Peer Observation into Dialogic Reflection,” with Megan Kelly, Juli Parrish, & Olivia Tracy, WLN: A Journal of Writing Center Scholarship, 2022
+ “Language of Measurement in Henry James’ In the Cage,”The Explicator, 2020

MISC. LITERARY CRITICISM & PRESENTATIONS

LATEST BOOK REVIEWS

+ Surface Studies by Mike Corrao (Action Books, 2024), Cleveland Review of Books, 2024
+ The Water Statues by Fleur Jaeggy (tr. Gini Alhadeff, New Directions, 2021), Newfound, 2022
+ The Regal Lemon Tree by Juan José Saer (tr. Sergio Waisman, Open Letter, 2020), Full Stop, 2021

from FIGURING, a column for Tarpaulin Sky Magazine (2020-22)

+ “Any viewing demands imagination: On Mel Bochner’s Drawings: A Retrospective at the Art Institute of Chicago & Renee Gladman’s Plans for Sentences, 2022
+ “On Dams,” 2021
+ “Five Small Rocks,” 2020
+ “A Geometric Meditation on Renee Gladman’s One Long Black Sentence,” 2020
+ “On Fractals, Part 1,” & “On Fractals, Part 2,” 2020

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>  editor, a row of trees: a journal of the sonic art research unit (2021-present)
>  contributing editor, Annulet: A Journal of Poetics (2020-present)
>  prose editor, Denver Quarterly (2019-21)
>  entanglements